The New Censor certificate

I think this cartoon in The Hindu (Feb 12) aptly conveys the problem of moral policing plaguing Indian cinema today.

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Much Ado about Parzania

The 'Guru' of all tales

Mani Ratnam's latest is no classic and yet it's great how he manages to make a biopic so interesting (Yes, I would certainly classify it as a biopic - the similarities to Dhirubhai Ambani's life are far too many to be just coincidental).

And so what if the protagonist succeeds using not-so-honest means. Today's audience is not naive enough to believe that a Gandhian approach will take people places in this day and age.

Abhishek Bachchan excels as Gurukant Desai - a role tailormade for him. But the surprise package of 'Guru' is Arya Babbar. The otherwise flop actor puts in an understated performance as Gurukant's righteous bro-in-law. Wish there had been more of him in the second half. But Arya disappears after a row with Gurukant and the director doesn't take the trouble of tying up this loose end.

There are several other good performances - Mithun Chakroborty, Aishwarya Rai, Madhavan, Vidya Balan. But the real winner is the script which is taut and never allows audience interest to flag.

Another plus is the music. People say A R Rahman's music in Guru didn't quite touch the heights of Dil Se or Rangeela. But when you watch the film, the songs just seem to blend in and help take the story forward. Even Mallika Sherawat's hummable cabaret number.

Rating: ****
Remarks: Abhishek's five-minute soliloquy in the courtroom sequence was a tad too melodramatic for my tastes but others seemed to love it

Much Ado about Parzania

Poor Rahul Dholakia. He takes the trouble of making a movie about a child who goes missing during the 2002 riots in Gujarat. And then the moral police play spoilsport - by not allowing its release in the state.

The villain of the piece (or at least the one in the public eye) is a guy called Babubhai 'Bajrangi' Patel, head of the local unit of the Hindu nationalist Bajrang Dal. Bajrangi feels the film is biased and could ignite communal passions once again.

Call it moral policing or what you will, a film cleared by India's Censor Board is being held ransom by someone who hasn't even seen it yet. An unabashed Bajrangi claimed on TimesNow last night that Dholakia made 'Parzania' only to mint money.

If they want to find the missing child, let them go to the police. Just by showing the film, will the child be found?

Exhibitors, fearing violence and riots, have decided not to screen the film in Gujarat. Having watched the critically-acclaimed film at its Goa film festival premiere in 2005 and then closely followed the director's attempts to get it released in India, I must say I am disappointed.

But I also know Dholakia won't give up that easily. A fortnight ago, he told me that several NGOs had come forward to help him screen 'Parzania'. The truth will be out some day. But until then, Dara and Rupa Mody's wait for news of their son Azhar is destined to be a long one.

Shilpa to star opposite Hugh Grant in new film

Yes, you read that right. Writers are working on a script that sees Celebrity Big Brother winner Shilpa Shetty and British actor Hugh Grant star in a romantic comedy on the lines of Notting Hill.

An industry insider told Daily Star the script is about a Bollywood actress (Shilpa) and a producer (Hugh) "who promises to help her crack the British and US markets".

Ummm...seems like Shilpa's crossover film is in the offing. The Bollywood actress was also spotted at Leicester Square on Monday at the premiere of Hugh's new film Music and Lyrics. Did the two discuss the possibility of acting together? We'll have to wait to find out.

DAILY HIGHLIGHTS of Shilpa's stint on Big Brother
Shilpa wins: The final moments
Day 26
Day 25
Day 24
Day 23
Day 22
Day 21
Day 20
Day 19
Day 18
Day 17
Day 16
Day 15
Day 14
Day 13
Day 12
Day 11: Part Two
Day 11
Day 10: Part Two
Day 10
Day 9
Day 8
Day 7
Day 6
Day 5
Day 4
Day 3
Day 2
Day 1

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Shilpa's life after Big Brother
SPOOF - Shilpa nominated for Nobel Peace Prize
COMMENT - Of India, Sexual Racism and Shilpa Shetty
ANALYSIS - Racism on Big Brother: Shilpa Shetty to win
FORUM - Racism on Big Brother
Shilpa says Jade's behaviour not racial

VIDEOS
The Best of Shilpa Shetty on Big Brother
And the winner is - Shilpa Shetty
Day 14 - The Jade-Shilpa row
Day 11 - Shilpa in the Jackson Five band
Day 20 - Shilpa's Showgirl routine
Day 19 - Shilpa's Aunt Jameela act

Salaam-e-Ishq: Snippety-snappety

Ya, ya - I've heard all about how long this movie is. But then a monumental epic never hurt anyone - as long as it's entertaining. Nikhil Advani's Salaam-e-Ishq has all the right ingredients - an incredible cast, rocking music and six delightful stories about love. The Problem? When the theatrewallah gets into scissorhands mode, viewers are in for some trying times.

How did Anil Kapoor get his arm in a sling? Apparently, he fell down (a colleague informs me). But shouldn't I see it on screen instead of wondering why Kapoor is sling-free in one frame and sling-full in the next. Media reports suggest that Advani, bombarded with complaints of the film being unbearably long, decided to make a few cuts himself. Bad move cos there's nothing worse than bad editing.

Anyway, that's not the only problem. Advani also has problems weaving in the six love stories together - the stitches are quite visible in some cases.

My favourite couple - Govinda and Shannon. The taxi-driver falling for an American was quite an original concept. Can't say the same for the Haryanvi combo of Sohail-Ishaa though. That track could have been safely edited out.

John Abraham and Vidya Balan have done some good work too and so have most of the others (including Priyanka Chopra). But Advani lacks the finesse of Karan Johar (who btw has a phone-in cameo in the film). In Johar's hands, Salaam-e-Ishq would have been gold. In his protege's hands, the film is not the blockbuster it could have been.

Rating: ***
Remarks: Watch out for Kailash Kher's Ya Rabba number. It left several in the audience teary-eyed and is easily the best song of the film.