The 'Guru' of all tales

Mani Ratnam's latest is no classic and yet it's great how he manages to make a biopic so interesting (Yes, I would certainly classify it as a biopic - the similarities to Dhirubhai Ambani's life are far too many to be just coincidental).

And so what if the protagonist succeeds using not-so-honest means. Today's audience is not naive enough to believe that a Gandhian approach will take people places in this day and age.

Abhishek Bachchan excels as Gurukant Desai - a role tailormade for him. But the surprise package of 'Guru' is Arya Babbar. The otherwise flop actor puts in an understated performance as Gurukant's righteous bro-in-law. Wish there had been more of him in the second half. But Arya disappears after a row with Gurukant and the director doesn't take the trouble of tying up this loose end.

There are several other good performances - Mithun Chakroborty, Aishwarya Rai, Madhavan, Vidya Balan. But the real winner is the script which is taut and never allows audience interest to flag.

Another plus is the music. People say A R Rahman's music in Guru didn't quite touch the heights of Dil Se or Rangeela. But when you watch the film, the songs just seem to blend in and help take the story forward. Even Mallika Sherawat's hummable cabaret number.

Rating: ****
Remarks: Abhishek's five-minute soliloquy in the courtroom sequence was a tad too melodramatic for my tastes but others seemed to love it

Salaam-e-Ishq: Snippety-snappety

Ya, ya - I've heard all about how long this movie is. But then a monumental epic never hurt anyone - as long as it's entertaining. Nikhil Advani's Salaam-e-Ishq has all the right ingredients - an incredible cast, rocking music and six delightful stories about love. The Problem? When the theatrewallah gets into scissorhands mode, viewers are in for some trying times.

How did Anil Kapoor get his arm in a sling? Apparently, he fell down (a colleague informs me). But shouldn't I see it on screen instead of wondering why Kapoor is sling-free in one frame and sling-full in the next. Media reports suggest that Advani, bombarded with complaints of the film being unbearably long, decided to make a few cuts himself. Bad move cos there's nothing worse than bad editing.

Anyway, that's not the only problem. Advani also has problems weaving in the six love stories together - the stitches are quite visible in some cases.

My favourite couple - Govinda and Shannon. The taxi-driver falling for an American was quite an original concept. Can't say the same for the Haryanvi combo of Sohail-Ishaa though. That track could have been safely edited out.

John Abraham and Vidya Balan have done some good work too and so have most of the others (including Priyanka Chopra). But Advani lacks the finesse of Karan Johar (who btw has a phone-in cameo in the film). In Johar's hands, Salaam-e-Ishq would have been gold. In his protege's hands, the film is not the blockbuster it could have been.

Rating: ***
Remarks: Watch out for Kailash Kher's Ya Rabba number. It left several in the audience teary-eyed and is easily the best song of the film.